Pitch international digital co-creation workshops

WEEK 2 - “Storytelling” - What do we say and how do we tell it?


  • update of the project
  • relationship between “migrations” and the project
  • what forms of “storytelling” and how to communicate the story
  • production point: phasing, prototyping, feasibility, budget, financing, …
  • focus on funding and budget (not in the storytelling theme but necessary in step 2)



  • 10:00 MoMus Experimental (Thessaloniki ,Greece)
  • 11:30 One-to-One meetings MoMus
  • 14:00 Project progress report
  • 15:30 ARSIS



  • 09:30 Creative Europe Desk (Athens, Greece)
  • 11:30 One-to-One meetings Creative Europe Desk
  • 14:00 Andromachi Papaioannou (UNHCR)
  • 15:30 Meeting with Migrants associations and migrants



  • 09:30 Onassis Foundation (Athens, New York, Los Angeles )
  • 11:30 One-to-One meetings Onassis Group
  • 14:00 Group Work
  • 15:30 Meeting with Migrants associations and migrants



  • 09:30 ERT S.A. (The public broadcaster of Greece)
  • 11:30 External Speaker
  • 14:00 Funding, budgets, co-production, sponsorship
  • 15:00 Scenography, museography, staging…
  • 16:00 Juliette: Project communication (which support, which tools, which audiences) and documentation)



  • 9:30 Juliette: Conference: the stages of a project (PROD aspect) + workshop
  • 11:00 Group Work
  • 14:00 Goals and todo list for next time


& Key note speakers & experts


Juliette Bibasse

For 8 years I have been a producer with artists using digital and technological tools. I support them in all stages of creation as well as in their search for dissemination, financing and variations of projects. As a producer, I have a role of intermediary between the artists and all the other actors of the cultural sphere: presenters, co-producers, institutions,… I was thus able to acquire an in-depth knowledge of the expectations of each one but also of the contradictions and misunderstandings that inevitably arise. I worked for several years in Montreal and Paris and have been based in Brussels for 6 years. I have in-depth knowledge of the different cultural players in France, Belgium and Canada. I have carried out complex art projects in the United States, Korea, Japan, Russia and many countries in Europe. For 3 years, I have also been an independent exhibition curator specializing in digital arts. I curate events for a wide variety of contexts: STRP, an established digital arts festival in the Netherlands, Smart Cities in Brussels, a light festival in Leuven, an exhibition in a contemporary art gallery in New York, … I was confronted with the question of co-creation from my school career. During my DSAA Art and Communication Techniques at the Estienne School (Paris), all projects for two years are carried out in groups made up of complementary profiles. So the very heart of this Master is to get people with artistic, marketing, technical, technological, literary training to work together. In 2018 and 2019 I took part in monitoring diplomas at the Ecole des Gobelins (Paris) in Master Interaction Design. This training is also made up of half of “tech” profiles (developers, programmers, ..) and the other half of “creatives”.

Edouard Meier

I began my career at the European Parliament in Brussels in 2004 with the Vice-President of the European Parliament after graduating from the Institute of Political Studies in Strasbourg. Within the framework of the Culture Commission, I followed the subjects of regulation and financing of European creation, and contributed to the creation of the Lux Prize, European Parliament prize for cinema. In 2009, I joined the French ecosystem of Scintillo, and decided to develop my knowledge of funding mechanisms for cultural industries by applying them to the issues of Belgian cultural entrepreneurship. As part of this association, I run a group of companies that I develop on the territory of Brussels-Capital. These companies participate in the financing of culture through the crowdfunding platform KissKissBankBank; to its production through the Wrong Men film production company created in 2012 by Benoît Roland and Alexandra Boussiou; and its distribution through See U, an industrial wasteland of 35,000 square  meters located in Ixelles and dedicated to sustainable development. Since 2016, my group has strengthened its activities in the Tech / Start-up field with the creation of Creatis, the first Belgian business incubator dedicated to the cultural and creative industries and a consulting company in particular in charge of the creation and development missions of the code 19 school (educational franchise of the French school 42) or the overhaul of the strategy of Maltem, a group of a thousand consultants in digital innovation and transformation. I am also one of the founders of the contemporary art fair Poppositions, and teach “new models of culture” at IHECS in a Masters in Sociocultural Animation and Permanent Education (Masters 1 and 2). In 2020 all of these activities are brought together in the Pali Pali brand. My entrepreneurial expertise complements Juliette’s specific artistic expertise. As part of Creatis, I have supported several digital entrepreneurs such as Ohme or Magic Street. And others are hosted at See U. Furthermore, I carry out support programs for cultural entrepreneurs locally in Brussels and Charleroi, but also with international projects in South Korea and China. 


Thouli Misirloglou

MOMus-Experimental Center for the Arts

Thouli is an art historian and curator. She has curated numerous exhibitions and festivals for the Macedonian Museum of Contemporary Art, private and public art initiatives and cultural institutions, as well as the City of Thessaloniki. She was Director of the Macedonian Museum of Contemporary Art (Thessaloniki) and from November 2019 is the Acting Director of the MOMus-Experimental Center for the Arts. She has participated in the development of European cultural programs and has been the general co-ordinator and member of the artistic committee of Dimitria Festival (City of Thessaloniki) for five years (2014-2019). Her work at the MOMus-ECA focuses on contemporary experimental artistic innovation, on intersidciplinary-hybrid artistic projects and the engagement of the public.

Nana Kantsa

Indipendent Curator

Nana Kantsa is an Architect and Tabletop Designer with a strong international presence. She works as an independent curator for several projects. Recently she co-curated, the first post pandemic exhibition,Together we Curate, in MOMus-Experimental Center for the Arts. For Pixxie Co-Creation, she coordinates the programme’s 2nd workshop taking place in Greece, closely cooperating with the project organisers and the partner museum. Currently, she is planning a pop up digital photo exhibition with musicians and performance artists, in a newly created space in Thessaloniki that hosts exhibitions, workshops and events.

Eirini Komninou

Creative Europe Desk

Eirini Komninou has studied English Literature and Language at the National Kapodistrian University of Athens. She also holds an MSc in State and Public Policy from the same University. Currently, she is a PhD student in cultural studies. She has worked as an English and Spanish teacher at primary and secondary education, for many years. She has also worked as administrative staff for the Spanish Ministry of Education and Culture, in the Embassy of Spain, in Athens. After graduating from the National School of Public Administration, in 2006, she joined the Ministry of Culture and later on she became Head of the European Union Department of the Ministry. Since 2009, she has been the Project Manager of the Creative Europe Desk Greece, ex Cultural Contact Point, the service responsible for the promotion of the Creative Europe/Culture Programme in Greece. She has had a long experience of the Programme and has helped a lot of cultural and creative organisations to apply and during their implementation of their projects. She has organised and taken part in many conferences, infodays, workshops, seminars, in Greece and abroad. By combining her two educational fields, she has creatively used both education and administration to help the Greek cultural sector take advantage of the European funds available.

Kostas Trakosas

Creative Europe Desk

Kostas Trakosas is a graduate of European Culture and the National School of Public Administration and Local Government, specialized in Cultural Administration. Furthermore, he has had postgraduate studies in Sociology and Political Theory. Currently, he is a member of the Creative Europe Desk Greece, based in the European Union Department of the Hellenic Ministry of Culture and Sports, where he has been working for the last three years. He had previously worked as a journalist, for more than 15 years, in national newspapers, radio stations and websites. 

Prodromos Tsiavos

Onassis Group

Prodromos is the Head of Digital Development and Innovation at the Onassis Group and is a legal and policy counsel for Athena Research Centre and OpenAIRE. He has served as the Chair of the Administrative Council of the Greek Industrial Property Organisation (OBI) and has founded the Hellenic Industrial Property Academy. He has over 150 publications and talks on legal and business aspects of e-government, Ethics by Design, open technologies, digital content and IPR and innovation policy and strategy. Prodromos is the director of the Institute of IPR and Innovation at the European Public Law Organisation and the Chair of the Supervisory Board of the European Patent Academy (EPA). He is currently teaching AI Law and Ethics at the National Technical University of Athens and at the Athens  niversity of Economics and Business. 

Andromache Papaioannou

Social Anthropologist, PhD/ Visual Storyteller

Andromachi is a Social Anthropologist and a Visual storyteller, working mainly with migrants and refugees. She has lived and worked in various countries and at the moment is based in Thessaloniki, Greece. She holds a BA in Political Science, a MA in Social Anthropology, and a PhD in International Cooperation and Sustainable Development Policies, with a focus on Anthropology and Migration. Since 2010, she has been working on migration issues and most specifically on second generation issues both as a researcher and a social activist. She was involved with Generation 2.0 RED –being a co-founder of the NGO- and has a long experience in migration policies, legislation, consultancy, cultural mediation and advocacy. From 2016 to 2021 she worked for UNHCR focusing on refugee issues. At the moment she is working on personal projects with a focus on migration, gender and motherhood. 

Zougos Manolis


Zougos Manolis ,is a graduate of the Department of Psychology-AUTh, holder of a master’s degree in Social and Clinical Psychology of Addictions of the Department of Psychology-AUTh and works as Psychologist/ Coordinator in Filoxenio – Shelter for Asylum Seekers Families. He has been active in the field of refugees since 2004. From 2016 until today i work as coordinator at FILOXENIO-Shelter for asylum seekers families, located in Thessaloniki. It is a shelter for people who have applied for international protection in Greece. In paticular, FILOXENIO is the only housing unit of increased care in Northern Greece for vulnerable cases involving families (single – parent or nuclear with at least 1 minor chlid) and single adult women in pregnancy/childbirth or at risk. FILOXENIO operates in collaboration with the Municipality of Thessaloniki and NGO ARSIS – Association for the Social Support of Youth within the REACT project wich is part of the ESTIA 2021 program. Since 2015, year of the opening of FILONEIO, 64 families have lived, 2 adult women survivors of gender-based violence and a total of 255 people.